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Artistic Values:
The exploration and transformation of material has always been a crucial part of my practice. Growing up and living in the British countryside, I am drawn to nature to source the materials I work with. From this ongoing relationship I have developed my study of wood, its intrinsic qualities and how it behaves when acted upon through man-made materials and tools. This juxtaposition both enhances and transforms the natural beauty of the materials I work with. My aim as an artist is to show off these natural materials and to guide the viewer back to these resources and the meditative power of nature we tap into when confronted by it. The process of making, including the selection and seasoning of the wood, as well as working with it, is as important to me as the object itself. This gives me an intimate understanding of each work, allowing me to demonstrate the different ways in which a material can be looked at and used. By burning, carving and casting the wood I create contrasting patterns that highlight and transform its shape and surface. I choose to celebrate the defects created by these actions such as my markings, and expose the ones caused by nature such as knots, cracks and aging. Setting metal into the wood has the potential to create a friction between these two polar materials. Yet, aesthetically, it appears harmonious as a single object. The alchemical quality of this fusion is solidified, for me, by the casting process, in which the metal roots into the wood, similar in which a tree root takes to the soil. I am fascinated by the relationship between my 3-D work and 2-D representations - I have been exploring this more deeply recently; Firstly, in my "sculptural trails" project and, secondly via a process I have developed in which carved, charrred sculptures are used to transfer their footprint onto paper. "Pyrographic printing", as I call it, creates individual unique images that reflect the original artworks and can be used to frame mixed media pieces - such as those involving natural pigments such as mud and clay. |
NEWS: I have been working hard in my new studio at Marchmont Creative Spaces to get ready for my solo exhibition, "Highlight", at WASPS Patriothall Gallery in Edinburgh (3rd December 2021 - 23rd January 2022). This opportunity resulted from winning the WASPS Award at this years RSA exhibition for my piece "Darkness in the Light". 
"Darkness in the Light"
(2020)
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